Decorating Gods, Part 4 (Eros)

Pheromone Eros

Number four goes for Eros. Like in the Neptune artwork, here the original portrait photography is by GianOrso. I really wanted Eros to be black and white but as usual I couldn’t stick to a specific idea for more than a month. So even though in January black and white looked cool, in February all I could see was gold, gold, gold. And I am not a “gold” person, so it’s very strange.

But actually, it all started with the bee. Then someone commented on the draft project saying the photo was disgusting because that guy was sniffing his armpit. I am usually thick skinned and I appreciate irony but I didn’t know the person, so I deleted the comment and just seconds after I pressed delete I had an Eureka moment. It went something like this: sweat > armpit > pheromone > bee. Too bad I forgot the username of that nerd, I feel the urge to send him a big fat thankyouverymuch.

Anyway, this is about love. The sticky kind (think honey). The kind of love that you know it turns you into an idiot but you can’t fight it. I always thought the “lovefool” problem appears when people try to rationalize the feeling. While actually they should be busy experiencing it. When people rationalize it, it begins to look like an illness. And I am almost sure if love didn’t have that romantic aura from all those love poems we inherited, most psychologists today would consider it a mental disease. I suppose they secretly do but are too ashamed to share it openly. Nevermind.

4 comments
Paul
Paul

Today is the first I've seen your work... all five of the 'Gods' are startling, not at all what I would have expected. But they're all beautifully made, and as you get accustomed to them resonant - I would never have thought of a hairy, bearded Eros, but it works...

Ivan Chan
Ivan Chan

Gorgeous, stunning work. I am lost in it. I.

Alpha
Alpha

Hi Anonymous. :) I think I just chose that title for the first blog post I made about Atlas and it just stayed that way for the others that followed. Maybe it has to do with the way most of these artworks come to life - I usually see a portrait which is already ready and I think Oh, he could become Hercules or something, so when I begin to work with it, it feels like "decorating" - I draw objects, change settings, put the figure in some context, then change everything, go back, start again... Sometimes it goes for a looong time. In a funny way, it resembles dressing someone for parade. :) Thanks for your interest in my work, I appreciate it!

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